http://www.johnsbrana.com/fine-jewelry-collections/freshwater-pearl-jewelry.html Embrace the mystery and beauty of the sea through unique art creations from Handmade Jewelry by John S Brana.
http://www.johnsbrana.com/fine-jewelry-collections/freshwater-pearl-jewelry.html Embrace the mystery and beauty of the sea through unique art creations from Handmade Jewelry by John S Brana.
Texturized Aluminum Cuff Bracelet from John S Brana Handmade Jewelry A big chunky bangle bracelet is a must have in any woman’s jewelry box. A large bracelet makes a big statement and can be used to put the perfect finishing touches on three-quarter and half sleeves as well as tanks, camis and halters. But what if you love the look of the thick bracelet but hate the heavy feel? The John S Brana Texturized Aluminum Anticlastic Bangle is the perfect solution. Instead of sterling, titanium or platinum, this cool hued beauty is constructed out of aluminum, making it light in weight. You get all the style of the classic chunk bangle without being weighed down. Texturized Aluminum Cuff Bracelet from John S Brana Handmade Jewelry – Cuff Opening The John S Brana Texturized Aluminum Anticlastic Bangle is as durable as it is light and is handmade in America. The bracelet features an anticlastic fold, meaning its edges are turned up and curve away from the wrist. Tarnish-proof, the aluminum will not require polishing or shining, and it is also completely hypoallergenic for sensitive skinned ladies. Recommended ReadingHandmade Designer Jewelry BlogAluminum Cuff with Linen Texture on EtsyHandmade Jewelry by John S BranaOriginal article: Texturized Aluminum Cuff Bracelet from John S Brana Handmade Jewelry©2014 Handmade Jewelry Blog by Jewelry Designer John S Brana
Nu Gold Bark Dangle Earrings from John S Brana Handmade Jewelry When you’re walking through the forest, surrounded by trees on every side, you just can’t help but notice the exquisite forms that the bark makes as it travels up along the side of the trunks. It’s nature’s true artistry with no two sections of bark ever looking quite the same. The John S Brana Nu Gold Bark Drop Earrings are inspired by these beautiful forms and have a handsome one of a kind look of their own because they are entirely handmade. Purchase these for yourself or as a special gift, and you can be certain you’re getting something you simply can’t find elsewhere. The John S Brana Nu Gold Bark Drop Earrings have a handsome rectangular shape, making them a lovely balance for a round, oval or heart face shape. The earrings have been hand textured to create the bark pattern, and they are protected with a clear coat to preserve the Nu Gold red brass precious metal used in the construction. Recommended ReadingHandmade Designer Jewelry BlogHandmade Jewelry by John S BranaOriginal article: Nu Gold Bark Drop Earrings from John S Brana Handmade Jewelry©2014 Handmade Jewelry Blog by Jewelry Designer John S Brana.
Handmade Jewelry Portfolio by JohnSBrana http://www.johnsbrana.com
Handmade jewelry is more than just a trend. It is an opportunity for customers to wear a one-of-a-kind piece that suits their individual style and personality. Many great accessories have come from handmade artists, from beaded bracelets to wired necklaces. Always choose quality over quantity every time when shopping for handmade jewelry.
Purchasing a smaller, well-made piece is much better than buying a larger, poorer quality item for the same price. Speaking of price, those on a budget simply need to remember that good handmade jewelry is not always expensive. It is the quality and look that truly counts, not the amount paid.
Chased Copper Cuff Bracelet from John S Brana Handmade Jewelry With its quiet elegance and handsome craftsmanship, the John S Brana Chased Copper Cuff Bracelet can be worn in so many ways. Wear it at the wrist side-by-side with a bracelet watch for an attractive look without a lot of bulk or layer it with other cuffs from your jewelry box for a very striking effect. The lovely piece is also stunning when worn on its own, or buy more than one for an arm full of warm, rich copper color. Chased Copper Cuff Bracelet from John S Brana Handmade Jewelry – Top of Cuff Fashioned by hand to ensure that every detail is flawless, the John S Brana Chased Copper Cuff Bracelet has a pleasing texture created with a hand chasing technique. The bracelet measures 7-1/2 inches in circumference, making for a comfortable fit for a small to medium-sized wrist. The slim design is just 1/4 inch wide. A protective finish ensures that the copper bracelet will keep its gorgeous color without oxidizing or tarnishing over the years
Taken from –
Be the main attraction wherever you go wearing this Hammered Copper Link Necklace. With its big, bold look, and its highly polished hand-hammered links, this copper necklace is the one you’ll reach for over and over again. 20 inches in length. Protective coating applied to copper to resist tarnish. Copper Jewelry Care Tips Gift Boxed View other featured Copper Chain Necklaces
Aluminum Cuff with Linen Texture When it comes to bracelets, two different types of cuffs have been on-trend for the last few seasons. The extra wide precious metal cuff has been used as a statement piece on runways in Milan, New York and Paris, and the cloth and leather cuff has been just as popular. The Linen Texturized Aluminum Cuff brings these two stylish looks together into one elegant wide cuff bracelet that you can wear for any occasion. The genuine aluminum has been hand texturized to give it the look of a linen weave, combining two popular trends into one gorgeous look. Aluminum Cuff with Linen Texture – Cuff Opening The Linen Texturized Aluminum Cuff is extra wide at 1-1/2 inches, and it features an eye catching natural shine. Because aluminum is used for the construction, the bracelet will never rust or tarnish, and the metal is naturally hypoallergenic to protect sensitive skin. Sized for a medium to small wrist, the bracelet measures 7 inches in circumference with a 3/4-inch opening for slipping it on. – 7 inches in circumference, with a 3/4 inch opening. – 1 1/2 inches in Width – Fits a medium to small sized wrist – Gift Boxed. – Makes a great 10th Anniversary Wedding gift! Recommended ReadingHandmade Designer Jewelry BlogTexturized Aluminum Cuff Bracelet from John S Brana Handmade JewelryIn Demand: Aluminum JewelryHandmade Jewelry by John S BranaOriginal article: Aluminum Cuff with Linen Texture on Etsy©2014 Handmade Jewelry Blog by Jewelry Designer John S Brana. All Rights Reserved.
View original post here:
Texturized Nu Gold Anticlastic Bangle Bracelet This elegant Texturized Anticlastic Nu Gold Bangle Bracelet flaunts unexpected curves that have art-gallery sophistication. The statement-sized design is bold with a warm and textured sheen, yet light and comfortable on the wrist, so it’s easy to pull off with all your favorite outfits. Get this bracelet for your collection and you’ll always have a go-to standard befitting any occasion. Texturized Nu Gold Anticlastic Bangle Bracelet – Front Have you heard of Nu Gold? …
See the article here –
San Francisco, CA — Jewelry designer John S. Brana has announced that his eponymous collection of handmade fine jewelry has been selected as a runner-up winner for the 2014 Best of the Bay Area A-List. This marks his fifth honor in the Best Fine Jewelry category.
The Bay Area A-List is a website that awards Bay Area businesses honors in 168 categories. Winners are determined based on the tabulation of more than 37,000 votes from local residents and industry experts. Winners are given a web page to promote their products and services, and new results are published annually.
In the 2014 Best of the Bay Area A-List Awards, Brana’s designer jewelry collection received Runner-up Award – Best Fine Jewelry, ranking in second place out of 45 local San Francisco handmade jewelry collections in the Fine Jewelry category. His handmade fine jewelry line won Runner-Up awards in 2010 and 2013 and was named a Finalist in the Fine Jewelry category in 2012.
The line of designer jewelry made from copper, aluminum, fine silver and gold received the Best Designer Jewelry Award in 2008. On John S Brana’s Handmade Jewelry profile page of the Bay Area A-List Awards, more than 35 voters are quoted, describing the quality craftsmanship and unique designs of the John S. Brana Jewelry Collection.
John S. Brana Handmade Jewelry is a collection of fine jewelry produced in San Francisco. The pieces in the collection are handcrafted from a variety of precious metals, including fine silver, sterling silver, copper, gold and aluminum. Embellishments like freshwater pearls and faceted gemstones are used in many pieces and are all hand-selected to ensure that every piece is of high quality. Designs are inspired by natural elements from the texture of tree bark to the colors of flowers. Pieces are sold online at Johnsbrana.com.
John S. Brana is the artist behind the collection and the owner of the jewelry line. His career began in law and banking, and he formerly served as a Vice-President for Finance for The Charles Schwab Corporation. In 2003, Brana was inspired to leave the corporate world and begin producing his own handmade fine jewelry. The collection debuted in 2004 and is produced at Brana’s San Francisco studio.
Visit http://www.johnsbrana.com and sign-up for monthly jewelry giveaways and amazing deals on featured handmade designer jewelry.
Early Uses of Aluminum Known of as the most abundant metal found in the earth’s crust, Aluminum was once so difficult to extract that jewelry made from this material was considered precious and cost as much as silver and gold. In 1886, a man named Charles Martin Hall developed a method for extracting aluminum that is still used, although much refined, today.
Once we knew how to extract the metal it became easier to obtain and its price fell dramatically. Now instead of making fine jewelry with aluminum we started making cans, toothpaste tubes, furniture, buildings and even airplanes.
Aluminum is extremely light weight and easy to work with along with being cheap, making it a very popular and versatile material…
Original link: In Demand: Aluminum Jewelry
If Gold is thought about a rare-earth element, then Copper could be thought of as a down-to-earth loved one. With the cost of products like gold and silver increasing, jewelry makers were left shopping for a versatile and budget friendly metal to deal with. After being utilized for hundreds of years, Copper has stood the test of time and can stand for either elegancy or earthiness easily.
Used as a sign of status by ancient Egyptians, Copper has actually enjoyed a long and undeniable rule as a leading jewelry making metal. It is used to set other softer steels and is often included in gold and silver blends. Stars strutted their stuff down the Oscar runway this year with Copper bangles, quickly making the fad pop. Copper is very easy to coordinate with and generously available making it an economical accessory for anyone. This spicy tinted metal makes attractive rings, bracelets, chokers, and earrings.
Originally posted here: Copper Tops Fall Jewelry Trends
Undoubtedly the most useful of the native metal elements is copper. There is little doubt that copper was Man’s first useful metal, and it continues to be just that. Millions of miles of wire are being drawn each year. Hundreds of new uses, particularly in the field of electricity and electronics, and even in beautifully handmade copper jewelry, are being developed each year. There is even a tremendous increase in the use of copper in psuedo-medicine. People are taking to wearing copper jewelry, not only because it is decorative and gaining in value, but because of the purported beneficial effects in warding off arthritis and other diseases. We’ll leave that to the medical men to decide. There is no need to decide on copper’s value to us. Without it our modern industrial empire would crumble.
True, silver is a better conductor, of electricity, copper’s chief use, but who could afford it? Worse, where would we be able to mine enough silver? While new reserves of silver creep slowly upward, vast new copper deposits are being opened in such faraway places as Bougainville, New Guinea and Africa. The supply of copper is assured for the next few hundred years at least, as literally dozens of gigantic copper porhyry deposits are being found and developed. in fact, as these new copper properties develop, the supply of gold and silver also develops, because these two precious metals are often the most important by-products of the copper mines. This is particularly true in the new mines developing in the southwest Pacific region.
Here at home the finest copper specimens of the day are coming from an old copper pit at Ray, little thought of when specimen discussions are held. Everyone remembers Bisbee, Globe, Bingham Canyon, Butte and others. The Ray, Arizona pit, however, doesn’t often get recognition. There was a brief flurry of interest when some cuprite cubes nearly an inch across were found there a couple of decades back. There have been some nice red chalcotrichites found at Ray, and an occasional malachite, azurite, cuprite, and other copper mineral find has been made. This year, however, some native copper specimens have been uncovered at Ray which rank among the finest ever found. The Michigan copper deposits, unique because they were almost exclusively native copper rather than copper mineral deposits, long have been considered the prime source of copper crystals in the U.S. Those mines are not producing at present, except for some exploratory work and occasional amateur rat-holing of old properties.
The new Ray crystals, completely different from anything ever found in Michigan, will rival most of the Michigan pieces. This difference seen in specimens from different localities is what makes collecting, even single species collecting, so great. The Ray crystals are cyclical twins, meaning the twins have grown at specific angles radiating out from a common twinning plane. They are like three-dimensional feathers, sharp, platy looking and extremely lustrous! Masses of these crystals over a foot across have been uncovered, and some of the “feathers” exceed five inches in length, truly spectacular specimens indeed. At present they are the finest specimens of any native element being mined.
A designer is an artist who plans an object, and a craftsman makes what a designer has planned. A designer-craftsman is an artist who both envisions and creates a piece of art. In planning jewelry the designer-craftsman first considers the material. Will it be suitable for the object he has in mind? Will it express the designer-craftsman’s creativity? This article is dedicated to the unusual and unexpected, and the jewelry materials suggested here demand creativity. It may be that experimentation with different materials is necessary. The designer should try the obvious but never forget the unique and hidden possibilities of nontraditional materials.
The designer must now think of the use the wearer will make of these materials and of their visual design possibilities. Design is organization, and he should organize his collection of pieces physically or draw his plan while keeping the various jewelry design principles in mind. Jewelry, like all of the other crafts, is dependent upon good design. As he arranges the various parts, he must consider the total size. Then he must look at the spacing of the individual pieces and consider the method of connecting them. Every part, whether similar or dissimilar, changes the relationship of the previously used parts. Limiting the number of forms, colors, and textures allows the beginner to better control the design elements. However, repetition of a single form or texture is tiresome unless relieved by slight variations.
Color is the most obvious element of design, the one that first catches your attention. Warm red and orange hues attract more attention than cool greens and blues. Intense colors increase apparent size, as do warm colors. Colors seem more intense when placed next to their complement: red next to green, yellow next to violet, orange next to blue. Warm colors are visually stimulating; cool colors are quieting. Warms and cools used together give a balanced effect. There was a time when designers talked about colors “going together,” but this time has passed and these color prejudices have been discarded completely. Now color selection is a matter of personal preference. Unusual color combinations are fun because we have not seen them often enough to become bored with them.
Texture can be tactile or visual, or both. The softness of fur is discovered by touch. Spots on the fur feel no different from the rest of the pelt, but visually create another texture. The same is true of the coloration on shells or in batik designs. Rough textures tend to look warm and informal, while smooth surfaces seem cool and hard. Texture has practical aspects, too. Rough surfaces are generally harder to clean than smooth ones, but they do not show scratches and dirt as readily.
Form is the dimensional shape of an object. With- form are a number of smaller forms that make up the complete piece. If there is a similarity between these varied small forms and the form of the whole, a feeling of unity will be maintained. The experienced designer can vary from his form more than the beginning jeweler because he has more control over all the design elements. The form of a piece of handmade jewelry may not be as immediately noticeable as its color or texture, but it is equally important to the overall design.
Space between the various parts of a design is as important as the positive form. Spaces, or negative re visual rest stops, and without them design chaos. Even slight variations in size and shape of spaces will excite the eye and make the total form more interesting.
Line is the element hardest to define in jewelry. It is more than the cord on the pendant or the neck form of the necklace. A visual line runs through every work of art, and jewelry is no exception. Line creates a path for the eye. It can be exciting and dynamic or restful and almost static. It can be a physical line of wire or string or it can be an imaginary line created by progression in the various parts of the object.
Scale of the piece to the wearer must also be considered. Don’t overwhelm a small person with jewelry too large for him or insult a large person with a too delicate piece. Practicality of scale is equally important. Are the beads too heavy for wearing comfort? Is the pin so large it will not hang properly on its finding. A designer must consider both the aesthetic and practical elements of his design from the wearer’s point of view.
Balance is stability. There are various types of balance that give us this feeling of security. Formal balance mirrors one side of the object on the other. Man is bilaterally symmetrical, with an arm, leg, eye, and ear on each side. Formal balance is symmetry derived from the classic Greeks, who used it to show their worship of the human body.
Informal balance is often referred to as an Oriental inspiration. It arouses more curiosity than formal balance because it cannot be assimilated by the eye as quickly. Objects that are not identical in form are visually equated by balancing other design elements. Brighter color used on a small object will visually balance a larger and slightly less intensely colored object. Rough texture will seem to weigh more than smooth texture on two similarly sized objects. A number of small objects will visually seem to weigh as much as one large object.
Radial is a third type of balance, in which the design elements seem to fan out from the center like the spokes of a wheel. Because the elements are identical, this kind of balance could be called formal. There are a few informal radial designs, and they, like any informally balanced piece, seemed to express action.
Rhythm, the last design principle, is a design element combining line, form, and movement. Rhythm can be gained through repetition and progression. When too much repetition causes monotony, a different kind of unit can be inserted between similar parts. Even alternation of parts may become tiresome, and a third unit may then be introduced. Progression involves sequential change from small to large size, from dark or light tone, or even from one shape to another .
Color coordinating can be intimidating at times, but adding pops of colors to your outfits is quite simple if you follow a few basic rules. For starters, color blocking simply means pairing contrasting colors against each other in one outfit. If you are afraid of color, you can actually color block with accessories – purses, shoes, belts, or jewelry. Just keep in mind that you want to keep one article of clothing in a color while keeping other articles in a neutral color or black, then accessorize with Complimentary, Triadic, or Analogous colors. One of the easiest accessories to color block with is jewelry….
Color Blocking with Jewelry is Back!
The sixties color blocking fashion trend is back in full force, especially in jewelry. All it takes is just a few key pieces that approach the use of bold color in a fresh way. Color blocking is a modern twist on checkered or geometric patterns, using a variety of bright colors placed in striped blocks instead of symmetrical patterns. There is something streamlined, stylish, and highly flattering about color-blocked accessories that give any outfit a fun, unique look.
Replace your simple, modern accessories with color-block jewelry in bright splashes of yellows, reds, and oranges. Gemstone slab beads or flat rectangle designs in a wide variety of natural and dyed hues are a great way to form the color-block look. Women everywhere love mixing unexpected colors in fashionable combinations, which are available in an assortment of brilliant colors. Geometric pendants and dichroic glass beads are also ideal color blocking components.
Fashion Color Blocking Tips
Many fashion experts recommend starting with two colors when using the color blocking trend. For those daring individuals, try two contrasting colors that will make your jewelry stand out. For a more subdued look, select colors that complement one another, such as a pink and red or a blue and purple combination. Try a variety of colors until you find combinations that flatter your skin tone….More at Color Blocking in Fashion & Jewelry
Color Blocking isn’t just for your clothing. You can also apply this method to interior design. Read more about using this color trend in your home by checking out this Tweet:
— funcolors (Lori Sawaya) (@funcolors) Tue Jul 24 2012